Monastery of Noravank (13th century)
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Noravank (Armenian: Նորավանք, meaning new monastery) is a 13th century Armenian Apostolic Church monastery, located 122 km from Yerevan in a narrow gorge made by the Darichay river, nearby the city of Yeghegnadzor, Armenia. The gorge is known for its tall, sheer, brick-red cliffs, directly across from the monastery. The monastery is best known for its two-storey S. Astvatsatsin church, which grants access to the second floor by way of narrow stones jutting out from the face of building. In the 13th–14th centuries the monastery became a residence of Syunik\'s bishops and, consequently. a major religious and, later, cultural center of Armenia closely connected with many of the local seats of learning, especially with Gladzor\'s famed university and library.
Noravank was founded in 1205 by Bishop Hovhannes, the former Abbot of Vahanavank. The monastic complex includes the church of S. Karapet, S. Grigor chapel with a vaulted hall, and the church of S. Astvatsatsin (Holy Mother of God). Ruins of various civil buildings and khachkars are found both inside and outside of the compound walls. Noravank was the residence of the Orbelian princes. The architect Siranes and the remarkable miniature painter and sculptor Momik worked here in the latter part of the thirteenth and early fourteenth century.
The nearest and grandest church is the Astvatsatsin (“Mother of God”), also called Burtelashen (“Burtel-built”) in honor of Prince Burtel Orbelian, its financer, is situated to the south-east of and at an angle to St. Karapet church and its gavit. The church, completed in 1339, is said to be the masterpiece of the talented sculptor and miniaturist Momik, who designed it, and was also his last work. Near the church there is his tomb khachkar, small and modestly decorated, dated the same year. In recent times the fallen roof had been covered with a plain hipped roof, but in 1997 the drum and conical roof were rebuilt to reflect the original glory still attested by battered fragments. The ground floor contained elaborate tombs of Burtel and his family. Narrow steps projecting from the west façade lead up to the entrance to the church/oratory. Note the fine relief sculpture over the doors, Christ flanked by Peter and Paul.
Burtelashen is a highly artistic monument reminiscent of the tower-like burial structures of the first years of Christianity in Armenia. It is a memorial church. Its ground floor, rectangular in the plan, was a family burial vault, and the first floor (second to Americans), cross-shaped in the plan, was a memorial temple crownedwith a multi-column rotunda.
Burtelashen temple is the architecturally dominant structure of Noravank. An original three-tier composition of the building is based on the increasing height of the tiers and the combination of the heavy bottom with the divided middle and the semi-open top. Accordingly, decoration is more modest at the bottom and richer at the top. Employed here as elements of interior decoration are columns, small arches, profiled braces forming crosses of various shapes, medallions, window and door platbands.
The western portal is decorated with special splendor. An important role in its decoration is played by cantilever stairs leading to the first (second to Americans) storey across the ground-storey facade, with profiled butts of the steps. The doors are framed in broad rectangular platbands, with ledges in the upper part, with columns, fillets and strips of various, mostly geometrical, fine and intricate patterns. Between the outer plathand and the arched framing of the openings there are representations of doves and sirens with women\'s crowned heads. Such heraldic reliefs were widely used in fourteenth-century Armenian art and in earlier times in architecture, miniatures and works of applied art, on various vessels and bowls. The door tyrnpanums are decorated with high reliefs showing, in the ground storey, the Holy Virgin with the Child and Archangels Gabriel and Michael at her sides and, in the upper storey, a half-length representation of Christ and figures of the Apostles Peter and Paul. As distinct from the reliefs of Noravank\'s vestry, these ones are carved on a plain surface, which gives them greater independence. The figures are distinguished by plasticity of form, softness of modeling and accentuation of certain details of clothing.
A group of the founders of Burtelashen is depicted on three columns of the western part of its rotunda. The picture consisted of relief figures of the Holy Virgin with the Child, sitting on a throne, and two standing men in rich attire, one of them holding a model of the temple.
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